Global Music
Market Report
2024
Global Music Market size is USD 8951.2 million in 2024. The growth of platforms like Spotify, Apple Music, and YouTube Music is expected to boost the sales to USD 57117.44 Million by 2031 with a Compound Annual Growth Rate (CAGR) of 8.00% from 2024 to 2031.
The base year for the calculation is 2023 and 2019 to 2023 will be historical period. The year 2024 will be estimated one while the forecasted data will be from year 2025 to 2031. When we deliver the report that time we updated report data till the purchase date.
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According to Cognitive Market Research, the global Music market size is USD 8951.2 million in 2024. It will expand at a compound annual growth rate (CAGR) of 8.00% from 2024 to 2031.
Base Year | 2023 |
Historical Data Time Period | 2019-2023 |
Forecast Period | 2024-2031 |
Global Music Market Sales Revenue 2024 | $ 31245.2 Million |
Global Music Market Compound Annual Growth Rate (CAGR) for 2024 to 2031 | 9% |
Market Drivers:
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Market Restrains:
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Market Trends:
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Market Split by Type of Streaming |
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Market Split by End-User |
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Market Split by Content Type |
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List of Competitors |
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Regional Analysis |
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Country Analysis |
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Key Qualitative Information Covered |
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Report scope is customizable as we have a huge database of Music industry. We can deliver an exclusive report Edition/Consultation as per your data requirements. Request for your Free Sample Pages.
Music Market is Segmented as below. Particular segment of your interest can be provided without any additional cost. Download the Sample Pages!
The music market is a dynamic industry encompassing digital streaming, live events, and physical formats. Key drivers include the growth of streaming platforms like Spotify and Apple Music, which offer extensive music libraries and personalized playlists. Increased smartphone penetration facilitates access to music anytime, anywhere, driving consumption globally. Live events and festivals remain crucial revenue sources, although disrupted by the COVID-19 pandemic, prompting a surge in virtual concerts and livestreamed performances. Trends include the rise of independent artists leveraging digital platforms for direct-to-fan engagement and distribution. Technological advancements in audio quality and immersive experiences enhance music listening. Social media influences music discovery and viral trends, while sustainability and ethical concerns shape consumer preferences. The industry adapts to piracy challenges and evolving copyright laws, emphasizing legal streaming and content protection. Overall, the music market continues to evolve with digital innovation, changing consumer behaviors, and global economic dynamics.
For instance, in August 2023, Big Bang Music has partnered with Sony Music Publishing (SMP) in a strategic agreement where SMP will manage global administration and promotion of Big Bang Music’s repertoire. This collaboration aims to increase exposure of their music worldwide. The partnership is expected to enhance publishing and royalty earnings for artists and songwriters, while also expanding their global audience through synchronization opportunities and international songwriter collaborations. The agreement encompasses administration, synchronization, and catalog promotion for the indie music label’s repertoire. (Source: https://musicbiz.org/news/sony-music-publishing-strikes-global-deal-with-india-based-record-label-big-bang-music/#:~:text=Sony%20Music%20Publishing%20has%20signed,songs%20globally%20to%20help%20expand)
The growth of streaming platforms like Spotify, Apple Music, and YouTube Music is driving the music market by fundamentally changing how music is consumed and distributed. These platforms offer extensive music libraries accessible to users globally, allowing listeners to explore a vast array of genres, artists, and playlists conveniently on-demand. For artists and music labels, streaming platforms provide a new revenue stream through royalties based on streams, expanding their reach beyond traditional album sales. Independent artists also benefit from the democratization of distribution, gaining exposure to a global audience without the need for extensive marketing budgets or physical distribution networks. Moreover, streaming platforms enhance music discovery through personalized recommendations and curated playlists, encouraging listeners to explore new music and genres. This fosters diversity in music consumption and supports niche markets and emerging artists, thereby driving innovation and growth in the music industry overall.
Increased smartphone penetration is driving the music market by transforming how consumers access and engage with music. Smartphones enable convenient and portable access to music streaming apps, allowing users to listen to their favorite tracks anytime and anywhere. This accessibility has expanded the audience base for music, reaching not only urban but also rural and remote areas where traditional music distribution channels may be limited. Moreover, smartphones facilitate social sharing of music preferences, driving viral trends and increasing exposure for artists and new releases. Apps like TikTok and Instagram leverage smartphone capabilities for music discovery and promotion through user-generated content and challenges. As smartphone technology continues to advance, with improved audio quality and seamless integration with other devices, it enhances the overall music listening experience and further stimulates growth in the music market globally.
Growing piracy and illegal downloads restrain the music market by undermining legitimate revenue streams for artists, music labels, and streaming platforms. Piracy deprives creators of fair compensation for their work, impacting their ability to invest in new music production and innovation. It also diminishes the incentive for consumers to purchase or subscribe to legal music services, reducing overall industry revenue. Moreover, piracy undermines the integrity of copyright laws and licensing agreements, creating legal challenges for rights holders seeking to enforce their intellectual property rights. This illicit activity not only affects established artists but also hinders opportunities for emerging musicians to earn recognition and sustainable income. Efforts to combat piracy through legal measures and technological advancements remain crucial to safeguarding the music industry's economic viability and supporting a fair and equitable ecosystem for artists, creators, and music consumers alike.
The COVID-19 pandemic had a profound impact on the music market, disrupting live events and concerts globally. Restrictions on public gatherings led to cancellations and postponements of tours and festivals, resulting in significant revenue losses for artists, promoters, and venues. However, the pandemic accelerated the shift towards digital platforms, with increased streaming and online music consumption as people sought entertainment at home. Virtual concerts and livestreamed performances emerged as alternatives, connecting artists with their audiences and generating new revenue streams. The crisis also prompted collaborations and charity initiatives within the industry to support affected musicians and industry professionals. As live events gradually resume, the music market continues to adapt, with ongoing emphasis on digital innovation and hybrid event formats to meet evolving consumer preferences and ensure resilience in the post-pandemic era.
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The competitive landscape of the music market is dominated by major players such as Universal Music Group, Sony Music Entertainment, and Warner Music Group, which hold significant market share across global regions. Streaming giants like Spotify and Apple Music compete fiercely for subscriber base and exclusive content rights. Live Nation Entertainment leads in live event production and artist management. The industry also sees competition from emerging independent labels and digital platforms, driving innovation and diversification in music consumption and distribution.
April 2023: Sony Music Entertainment UK has unveiled plans to relaunch Epic Records UK, positioning it as a frontline label alongside RCA, Columbia, and Ministry of Sound. The relaunch aims to celebrate global music and British culture, coinciding with Epic Records' upcoming 70th anniversary of recorded music in 2023. (Source: https://www.sonymusic.com/epic/sme-uk-relaunches-epic-records/)
Top Companies Market Share in Music Industry: (In no particular order of Rank)
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According to Cognitive Market Research, North America dominated the market in 2024. It accounted for around 40% of the global revenue because of the area's a strong presence of major record labels like Universal Music Group, Sony Music Entertainment, and Warner Music Group headquartered in the region. The United States, in particular, has a robust music industry infrastructure with leading streaming platforms such as Spotify and Apple Music. Additionally, North America's diverse musical genres and strong consumer spending on entertainment contribute to its dominant position in the global music market.
The Asia Pacific region is experiencing the fastest CAGR in the music market due to rapid urbanization, increasing disposable incomes, and widespread adoption of digital technology. Countries like China, Japan, and South Korea have large populations of music enthusiasts who are embracing streaming platforms and digital downloads. Additionally, the region's vibrant music culture, coupled with a rising number of concerts, festivals, and music events, contributes to the expanding market for both local and international music.
The current report Scope analyzes Music Market on 5 major region Split (In case you wish to acquire a specific region edition (more granular data) or any country Edition data then please write us on info@cognitivemarketresearch.com
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According to Cognitive Market Research, the global Music market size was estimated at USD 8951.2 Million, out of which North America held the major market of more than 40% of the global revenue with a market size of USD 12498.08 million in 2024 and will grow at a compound annual growth rate (CAGR) of 7.2% from 2024 to 2031.
According to Cognitive Market Research, the global Music market size was estimated at USD 8951.2 Million out of which Europe held the market of more than 30% of the global revenue with a market size of USD 9373.56 million in 2024 and will grow at a compound annual growth rate (CAGR) of 7.5% from 2024 to 2031.
According to Cognitive Market Research, the global Music market size was estimated at USD 8951.2 Million, out of which Asia Pacific held the market of around 23% of the global revenue with a market size of USD 7186.40 million in 2024 and will grow at a compound annual growth rate (CAGR) of 11.0% from 2024 to 2031.
According to Cognitive Market Research, the global Music market size was estimated at USD 8951.2 Million out of which Latin America market of more than 5% of the global revenue with a market size of USD 1562.26 million in 2024 and will grow at a compound annual growth rate (CAGR) of 8.4% from 2024 to 2031.
According to Cognitive Market Research, the global Music market size was estimated at USD 8951.2 Million, out of which the Middle East and Africa held the major market of around 2% of the global revenue with a market size of USD 624.90 million in 2024 and will grow at a compound annual growth rate (CAGR) of 8.7% from 2024 to 2031.
Global Music Market Report 2024 Edition talks about crucial market insights with the help of segments and sub-segments analysis. In this section, we reveal an in-depth analysis of the key factors influencing Music Industry growth. Music market has been segmented with the help of its Type of Streaming, End-User Content Type, and others. Music market analysis helps to understand key industry segments, and their global, regional, and country-level insights. Furthermore, this analysis also provides information pertaining to segments that are going to be most lucrative in the near future and their expected growth rate and future market opportunities. The report also provides detailed insights into factors responsible for the positive or negative growth of each industry segment.
According to Cognitive Market Research, Live Streaming stands out as the dominating category. Live streaming has captured the largest market share in the music market due to its ability to provide real-time interaction and engagement between artists and audiences, especially during the COVID-19 pandemic when live events were restricted. Platforms like Twitch, YouTube Live, and Facebook Live enable musicians to perform concerts and events virtually, reaching global audiences without physical venue constraints. This format not only sustains artist-audience connections but also generates revenue through virtual ticket sales, donations, and sponsorships.
On-demand streaming is growing at the highest CAGR in the music market due to its convenience and extensive music catalog accessibility. Platforms like Spotify, Apple Music, and Amazon Music offer users instant access to millions of songs and playlists on-demand, tailored to individual preferences. This format appeals to consumers seeking flexibility in music consumption without the need for ownership. Additionally, subscription models and personalized recommendations drive user retention and engagement, fueling the rapid growth of on-demand streaming services globally.
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According to Cognitive Market Research, the dominating category is Commercial. Commercial end-users have captured the largest market share in the music market due to their diverse applications across industries such as retail, hospitality, and media. Businesses utilize music for enhancing customer experiences, creating ambiance, and marketing purposes. Retail stores use music to influence shopper behavior, while hotels and restaurants use it to create a pleasant atmosphere. Additionally, media outlets and advertising agencies rely on music for content creation and brand promotion, contributing to the significant market share of commercial end-users.
Residential end-users are growing at the highest CAGR in the music market due to the increasing adoption of smart home technology and connected audio devices. Consumers are investing in home entertainment systems, wireless speakers, and smart speakers like Amazon Echo and Google Home, facilitating seamless music streaming and playback at home. The convenience of controlling music playback via voice commands and mobile apps enhances the residential music listening experience, driving the demand for subscription-based streaming services and digital downloads.
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Content Type Segment Analysis
According to Cognitive Market Research, the dominating category is Audio Streaming. Audio streaming content types have captured the largest market share in the music market due to their popularity and convenience. Platforms like Spotify, Apple Music, and Amazon Music provide a vast library of songs, albums, playlists, and podcasts accessible on-demand. Consumers prefer audio streaming for its ease of use, personalized recommendations, and ability to discover new music effortlessly. Moreover, subscription models offer ad-free listening experiences, contributing to sustained growth in audio streaming content consumption globally.
Video streaming content types are growing at the highest CAGR in the music market due to their ability to offer immersive and visually engaging music experiences. Platforms like YouTube, Vevo, and TikTok integrate music videos, live performances, and user-generated content, attracting a broad audience. Video streaming enhances music discovery and fan engagement through viral trends, challenges, and artist collaborations. Moreover, monetization options such as advertising and premium subscriptions drive revenue growth for platforms and rights holders alike.
Research associate at Cognitive Market Research
Swasti Dharmadhikari, an agile and achievement-focused market researcher with an innate ardor for deciphering the intricacies of the Service & Software sector. Backed by a profound insight into technology trends and consumer dynamics, she has committed herself to meticulously navigating the ever-evolving terrain of digital Services and software solutions.
Swasti an agile and achievement-focused market researcher with an innate ardor for deciphering the intricacies of the Service & Software sector. Backed by a profound insight into technology trends and consumer dynamics, she has committed herself to meticulously navigating the ever-evolving terrain of digital Services and software solutions.
In her current role, Swasti manages research for service and software category, leading initiatives to uncover market opportunities and enhance competitive positioning. Her strong analytical skills and ability to provide clear, impactful findings have been crucial to her team’s success. With an expertise in market research analysis, She is adept at dissecting complex problems, extracting meaningful insights, and translating them into actionable recommendations, Swasti remains an invaluable asset in the dynamic landscape of market research.
Conclusion
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Disclaimer:
Type of Streaming | Live Streaming, On-Demand Streaming |
End-User | Residential, Commercial |
Content Type | Audio Streaming, Video Streaming |
List of Competitors | Universal Music Group (France), Sony Music Entertainment (Japan), Warner Music Group (United States), Live Nation Entertainment (United States), Apple Music (United States), Spotify (Sweden), Tencent Music Entertainment (China), Bertelsmann Music Group (Germany), EMI Group (United Kingdom), BMG Rights Management (Germany) |
This chapter will help you gain GLOBAL Market Analysis of Music. Further deep in this chapter, you will be able to review Global Music Market Split by various segments and Geographical Split.
Chapter 1 Global Market Analysis
Global Market has been segmented on the basis 5 major regions such as North America, Europe, Asia-Pacific, Middle East & Africa, and Latin America.
You can purchase only the Executive Summary of Global Market (2019 vs 2024 vs 2031)
Global Market Dynamics, Trends, Drivers, Restraints, Opportunities, Only Pointers will be deliverable
Chapter 2 North America Market Analysis
Chapter 3 Europe Market Analysis
Chapter 4 Asia Pacific Market Analysis
Chapter 5 South America Market Analysis
Chapter 6 Middle East and Africa Market Analysis
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Chapter 7 Top 10 Countries Analysis (Only Available with Corporate User License)
Competitor's Market Share and Revenue (Subject to Data Availability for Private Players)
Chapter 8 Competitor Analysis (Subject to Data Availability (Private Players))
(Subject to Data Availability (Private Players))
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Data Subject to Availability as we consider Top competitors and their market share will be delivered.
Chapter 9 Qualitative Analysis (Subject to Data Availability)
Segmentation Type of Streaming Analysis 2019 -2031, will provide market size split by Type of Streaming. This Information is provided at Global Level, Regional Level and Top Countries Level The report with the segmentation perspective mentioned under this chapters will be delivered to you On Demand. So please let us know if you would like to receive this additional data as well. No additional cost will be applicable for the same.
Chapter 10 Market Split by Type of Streaming Analysis 2019 -2031
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Chapter 11 Market Split by End-User Analysis 2019 -2031
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Chapter 12 Market Split by Content Type Analysis 2019 -2031
This chapter helps you understand the Key Takeaways and Analyst Point of View of the global Music market
Chapter 13 Research Findings
Here the analyst will summarize the content of entire report and will share his view point on the current industry scenario and how the market is expected to perform in the near future. The points shared by the analyst are based on his/her detailed in-depth understanding of the market during the course of this report study. You will be provided exclusive rights to interact with the concerned analyst for unlimited time pre purchase as well as post purchase of the report.
Why Live Streaming have a significant impact on Music market? |
What are the key factors affecting the Live Streaming and On-Demand Streaming of Music Market? |
What is the CAGR/Growth Rate of Residential during the forecast period? |
By type, which segment accounted for largest share of the global Music Market? |
Which region is expected to dominate the global Music Market within the forecast period? |
Segmentation Level Customization |
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Region level Data Customization |
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Country level Data Customization |
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Company Level |
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Additional Data Analysis |
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Additional Qualitative Data |
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Additional Quantitative Data |
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